Thursday, 10 October 2013

Big Strong Longing


This is a field that I pass by when I'm out for my walk. There's a place near where I live called Robert's Bank. You drive past farms to the end of a road, and park. There's a dyke that winds past marshland bordered by distant ocean to the south and fields like this one to the north.

I walked there a lot this summer. You can see why. Also, I just love walking and thinking and talking to myself. But yeah, it's the nature thing mostly that draws me. Outside.

I've always loved the natural world and felt a Big Strong Longing for it. I lived in a place called Paradise Valley for four years, a tiny valley just east of the Squamish Valley. I lived in the bush. It brought me alive in a very extreme way. I feel deeply in love with all of it.

When I was a kid, I loved animals. Every year for my birthday in May, I'd get a Bugcatcher™, a weird plastic bottle-type container with a fake plant in the centre of it, a removable plastic lid, and holes along the neck of the bottle. You know, so the bugs could breathe. I'd rip out the plastic plant and throw in grass and leaves and catch bugs, like grasshoppers, or beetles, and worms and I'd put 'em in there. And just look at them for a while. Sometimes a few days. Then I'd let them go. Here's a picture of one. The Bugcatcher, I mean.


This one day when I went for my walk along the dyke at Robert's Bank, it was really hot. It was early in the day, too. I had the day or took the day off (I can do that sometimes) and it was gorgeous out, so how can I not? Sometimes I think we owe it the world to do that. To get out and bear witness to the miraculousness of nature, to it's confounding beauty. To bring consciousness to it.



When I was a kid, I'd find animals and bring them home. Like baby birds who couldn't fly yet, or mice or frogs or snakes. "Can I keep him?" I'd always ask. My mother would always put up with it somehow, sigh and make some basic rules: "He has to stay in the shed in a box" or "Only for a few days then you have to let him go." I brought homes kittens, and stray cats and she was kind of amazing about it. I think my mom loves nature, too, just never talks about it that way.

So there I was on my walk on this hot day. I saw a baby garter snake. Every time I see a snake I try to pick it up. Yes, the garters will freak out and probably squirt stinky defense liquid on you, but it's not big deal. A little musky. Whatever.

Anyway, here's the baby garter snake.


We got along well.

I often take a little side path that veers off the dyke path and down toward the marshy area. I mean, it's a dry path, narrow and well-used. You can sometimes see horse shit along that path. It's full of scrub brush and wild flowers and wasps flying low to the ground. I took this path on this day--actually I passed it on the way out and took it on my way back. I remember there was no one around. It was really quiet. The path turned around a tall bush and as soon as I passed it, I saw him.


He was just sitting there in the middle of the path. This baby bunny. He wouldn't move at all. Like he was really scared. He was really tiny. It made me think that he must be just a few weeks old and he was probably just freaked out because it was his first time seeing a person or something. I got closer to him.


So cute, right? Look at those ears!

I loved him right away. I wondered what to do. I hoped he was okay. I decided to pick him up.


You can see how small he is. 


As I held him in my hand, I could suddenly feel all the things I felt when I was a kid. I was so excited. He would be my pet. He obviously is lost or something and is too little to take care of himself, so I could take care of him. I saw myself arriving at home with this tiny baby bunny wrapped in my hoodie, and me saying to my partner, "Can I keep him? Can I?" And I'd put him in a little cardboard box, with some... straw or something, And water. And I'd feed him bits of lettuce and eventually carrots (of course).

But I knew something was wrong. He was obviously in shock. He wasn't moving at all. His eyes were staring straight ahead. Sometimes they'd close a little and then open up again if I moved. Something was definitely wrong with him.

So I decided to turn him over and check him out.

He let me do it without protest, and to be honest he felt fine. He kind of splayed his legs out as I flipped him over, like any baby bunny would when someone did that. But then I saw. His neck was ripped open. Like someone had cut his throat with a knife. Or, more likely, that a hawk had caught him by the neck and was startled when I came from around that bush and dropped him by accident. He wasn't just in shock. He was dying. Probably a Marsh Hawk. AKA Northern Harrier.


I started crying. I couldn't help it. It was exactly the feeling I had when I was a kid, when the baby robin didn't make it and I found it dead in its box one morning. That I had failed them. That my friend was gone. 

I didn't take any more pictures. I thought about taking him to Animal Rescue, and they'd fix him. But no they wouldn't. He was a bunny. There were millions of them in Ladner. And he was so close to being dead. I could feel how little Life Force he had left in him. 

I put him back down, in a bit of scrub. In the shade.

Maybe the hawk would come back and eat him. Or another animal, like a mink or coyote would get him. He would be food for it. And then he'd be gone, rising and falling in and out of life, into another life, as a different form, a different being.













Wednesday, 2 October 2013

I realize how dull a blog looks these days without pictures, so I decided to include this weird mirror selfie I took. Part of my hair is the reflection of my hair so, no, I don't have pointy hair like that. It's an illusion! Oh, the magic of the mirror pic...

Hi!

First post in years. I'll skip the self-flaggelation about being a shitty blogger. That goes without saying.

In 2012-13, I had the busiest year of my professional life. I did such cool things. I'm the Artistic Associate for Green Thumb Theatre where I lead a giant high school collective creation called The Edge Project. I directed to small plays, I worked on the TV show Psyche, I led another amazing year of the LEAP Playwriting Intensive for Young Writers, and I did a remounted tour of the Arts Club's production of The 39 Steps. It was intense. I got really burnt out. I got to that place where even though I knew at a deep level that I loved every single individual thing I was doing, I was starting to hate getting up in the morning. I missed being at home. I missed my partner and my cat. Work felt burdensome.

THIS IS NOT GOOD. I am so incredibly blessed with the way that my work life has evolved. I am so turned on by the amount of creativity I get to express, by the artists I get to work with and by being able to make a living doing and making theatre and supporting others do the same. I don't ever want to feel like my work is a drag or that it's a chore to go to work.

So. How do I stay in the moment? How do I not burn out? Well, I don't know yet. I do know that I don't need to say yes to everything all the time. I think theatre artists sometimes feel like saying no to a project is not an option, even if there's not physical way to do it given how overwhelmed one may be. This year looks better. The process we've devised for The Edge Project isn't as onerous as last year, I'm not directing a show throughout the fall, and I've learned so much from what last year was like.

Our work life is tied to our sense of purpose. I feel a deep sense of purpose when I do what I do, and I believe that living from that place makes us happier and makes our lives richer. I'm writing this today as a commitment to myself to remind myself how blessed I am to have discovered my purpose and as a promise to stay in the moment more. If I don't allow myself to project into what still needs to be done or how tired I'll be by the end of the day, I won't be burdened, and my love for what I do will remain front and centre, driving me.


Saturday, 31 December 2011

Why it's called what it is

Why is this blog called In The Moment?


Well, I'll tell you.


As actors, we often talk about being 'in the moment.' All good things in theatre happen 'in the moment.'  A director might say, 'yeah, Shawn, it didn't really feel like you were in the moment that time--I could feel you anticipate that.' We 're constantly trying to create moments, in theatre, right? We talk about them afterwards: 'Oh my God, that moment? At the end? When's she's all alone? I loved that moment...' Good theatre is really all about the creation, the orchestration of moments. Moments happen in theatre when the actors together with the audience co-create significant events that everyone is participating in fully, with their thoughts and their emotions.


In Buddhism, for example, the practice is all about bringing yourself into the moment. Focus on your breath and bring your awareness to the now. All meditation practice is geared toward full participation in the moment, the here and now, the moment.


So this expression really compels me and reflects two areas of my life that I am interested in, so that's why I called it that.


I guess it also points to the fact that theatre for me is a kind of spiritual practice. That is it ephemeral and immediate, that it is something you participate in, that you are a part of, that it is something co-created with others.



Friday, 30 December 2011

From where I'm sitting

So.

Not sure why, not sure how, but this morning I just decided that it's time for me to start blogging (dare I say again? Previous efforts were so scattered and... well, lame). But I'm looking for something to shake up my routine--I usually get up, front-load coffee for an hour and aimlessly poke around cyberspace, obsessively check my Facebook pages and Twitter accounts for retweets--and I want to express a bit more and legitimize myself and a writer.


What you'll read here are blog posts that I'm thinking will be related to my work as a theatre artist, but I'm guessing they'll cross over into musings (ugh, that word!) on stuff that can be categorized as spiritual. I'm into thinking, Big Ideas, and the nature of things. To me, meaning seems to explode from all things. Ideas have power and burst from our minds, from consciousness, into the world, into reality. I'm so blown away by creativity, not just in art, but in every aspect of our lives. The world is constantly being created, it's constantly evolving into a more perfect, more beautiful, more completely realized version of itself. I'm interested in that. I'm interested in the way that ideas take form and out-picture as things in our world.


This morning I took this picture from the window seat on the floating home I live in. The year is almost over and I'm feeling it, along with the birth of a new year--the infamous 2012. I don't know why but I'm excited.